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alper turan



Sepideh Behruzian Circling the square: The transitional zone between repetition and difference Series of 18 sculpture, and an accompanying booklet, 2019-2022 wood Size variable Maria Barnas, Things I Should Have Said, 7 sculptures (mouth size), 7 spray paintings on paper (each 29.7 x 42.0 cm), 2021-22 Courtesy of Annet Gelink Sabrina Chou LIMB TO LIMB TO LIMB Installation, 2022 Wax toner print posters, galvanized steel chain, pulleys, eyelets, mirrored acrylic, Dimensions variable. Sepideh Behruzian Circling the square: The transitional zone between repetition and difference Series of 18 sculpture, and an accompanying booklet, 2019-2022 wood Size variable Baha Görkem Yalım Inclinations, Installation/Sculpture, 2022 wooden sticks, broken and fixed, microphone stands same as the one found in the storage space of the institution. Series of 8, each 160 x 135 x 50 Maria Barnas, Things I Should Have Said, 7 sculptures (mouth size), 7 spray paintings on paper (each 29.7 x 42.0 cm), 2021-22 Courtesy of Annet Gelink Jose Quintanar, Landscapes. - From 1 to 26. (A Dutch landscape of 26 days. May 2020) - From 1 to 19. - From 1 to 10. - From 1 to 4. Installation, 2020 - 2022 Vinyl numbers, plastic ribbons, Size variable Sabrina Chou LIMB TO LIMB TO LIMB Installation, 2022 Wax toner print posters, galvanized steel chain, pulleys, eyelets, mirrored acrylic, Dimensions variable. Maike Hemmers, Untitled, Drawing, 2021 soft pastels, paper 42 x 32 cm Maria Barnas, Things I Should Have Said, 7 sculptures (mouth size), 7 spray paintings on paper (each 29.7 x 42.0 cm), 2021-22 Courtesy of Annet Gelink Sabrina Chou LIMB TO LIMB TO LIMB Installation, 2022 Wax toner print posters, galvanized steel chain, pulleys, eyelets, mirrored acrylic, Dimensions variable. Maike Hemmers, Untitled, Drawing, 2021 soft pastels, paper 42 x 32 cm Sabrina Chou LIMB TO LIMB TO LIMB Installation, 2022 Wax toner print posters, galvanized steel chain, pulleys, eyelets, mirrored acrylic, Dimensions variable. Merey Şenocak, A Picture of O Installation, 2022 Uv printed glass, iron wire, 12 pieces of glass, each 20x20 cm Sabrina Chou LIMB TO LIMB TO LIMB Installation, 2022 Wax toner print posters, galvanized steel chain, pulleys, eyelets, mirrored acrylic, Dimensions variable. Baha Görkem Yalım Inclinations, Installation/Sculpture, 2022 wooden sticks, broken and fixed, microphone stands same as the one found in the storage space of the institution. Series of 8, each 160 x 135 x 50 Jose Quintanar, Landscapes - From 1 to 26. (A Dutch landscape of 26 days. May 2020) - From 1 to 19. - From 1 to 10. - From 1 to 4,  2020 - 2022. Vinyl numbers, plastic ribbons, Size variable, Photo: LNDWstudio Sabrina Chou, LIMB TO LIMB TO LIMB, 2022. Wax toner print posters, galvanized steel chain, pulleys, eyelets, mirrored acrylic; dimensions variable. Photo: LNDWstudio Maike Hemmers, An endless thread, Drawing, 2022, soft pastels, paper, textile 170 x 240 cm Sepideh Behruzian, Circling the square: The transitional zone between repetition and difference, 2019–2022. Series of 18 sculptures and an accompanying booklet, wood; size variable. Photo: LNDWstudio Maria Barnas, Things I Should Have Said, 2021-22.  7 sculptures (mouth size), 7 spray paintings on paper; each 29.7 x 42.0 cm. Courtesy of Annet Gelink, Photo: LNDWstudio Merey Şenocak, A Picture of O, 2022. Uv printed glass, iron wire, 12 pieces of glass, each 20x20 cm. Photo: LNDWstudio Baha Görkem Yalım, Inclinations, 2022. Wooden sticks, broken and fixed, microphone stands same as the one found in the storage space of the institution; series of 8, each 160 x 135 x 50. Photo: LNDWstudio Annabelle Binnerts Ghost Poem Site-spesific hand-painted mural, 2022 Dimensions variable.